![]() ![]() I knew that I wanted to take this iteration of a younger Batman who was early in his arc, that there was room for growth, room for an awakening, and put him at the center of this mystery that would pull into this path of all of these characters. ![]() Matt Reeves: The creative process, for me at least, is like being in a dark room, and you’re on your hands and knees, and you’re reaching for something that feels familiar. TS: For Matt, did you start with the visual style that you wanted to do and have that influence the story, or did you have an idea of the story you wanted to do and that in turn influenced the visuals? Batman’s always been fallible and just a man in an armored suit, and this really embraces that so much. In this (version), I loved all of the frailties he has, such as in this scene where he’s using his cape for the first time. He’s confident his abilities have changed, and he’s heroic. He trains and he comes back fully realized. Robert Pattinson: It allows for an opening. Tiffany Smith: For Robert, how did the film being set in Batman’s early years of being a vigilante affect your performance and the feelings that you had about this character? ![]() This interview has been edited for length and clarity. and moderated by presenter Tiffany Smith, Pattinson, Kravitz and director Matt Reeves spoke with the Daily Bruin’s Janice Yun and other college journalists about the latest interpretation of the hero’s story and how auditory and visual elements place audiences in Batman’s point of view. The film follows Wayne as he tracks down the murderous Riddler (Paul Dano) through a series of bloody clues with the help of Catwoman (Zoë Kravitz) and police commissioner James Gordon (Jeffrey Wright). Releasing in theaters on Friday, “The Batman” reintroduces Gotham City’s favorite billionaire, Bruce Wayne (Robert Pattinson), during his early vigilante years as the Batman. The hero of the shadows is coming back into the spotlight. ![]()
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